introductory essay

RECOMMENDED FURTHER READING

Dance

Adra, Najwa. "Concept of Tribe in Rural Yemen." In Saad Eddin Ibrahim and Nicholas S. Hopkins, editors. Arab Society: Social Science Perspectives. Cairo: American University in Cairo Press, 1985, 275–285.

___________. "Tribal Dancing and Yemeni Nationalism." Revue du Monde Musulman et de la Méditerranée. 1993, 67(1), 161–168.

‘Ameri, Azardokht. 2003. “Raqs–e ‘amianeh–ye shahri va raqs–e mowsum be klasik: bar–rasi–ye tatbiqi dar howze–ye Tehran.” Mahour Music Quarterly, No. 20, Summer 2003, 24–28.

And, Metin. 1959. Dances of Anatolian Turkey. NY: Dance Perspectives, number 3.

Berger, Morroe. 1966. “Belly Dance.” Horizon 8 (2), 41–49.

____________. 1961. Curious and Wonderful Gymnastic. NY: Dance Perspectives, #10, Spring 1961.

Choudhury, M. L. Roy. "Music in Islam." Journal of the Asiatic Society. Letters, Volume XXIII, No. 2, 1957: 43–102.

Deaver, Sherri. "Concealment vs. Display: The Modern Saudi Woman." Dance Research Journal. Summer 1978: 14–18.

Doi, Mary Masayo. 2002. Gesture, Gender, Nation: Dance and Social Change in Uzbekistan. Westport, Connecticut: Bergin & Garvey.

Al–Faruqi, Lois Ibsen. 1987. “Dance as a Form of Islamic Expression.” Dance Research Journal. 10/2, 6–17.

Fatemi, Sasan. 2005. “La musique legere urbaine dans la culture iranienne: Réflexions sur les notions de classique et populaire.” Unpublished dissertation. Université Paris X–Nanterre.

Karayanni, Stavros Stavrou. 2004. Dancing Fear & Desire: Race Sexuality, & Imperial Politics in Middle Eastern Dance. Waterloo, ON: Wilfrid Laurier University Press.

Koepke, Bruce E. H. 2003. “Covert Dance in Afghanistan: A Metaphor for Crisis?” in Mohd Anis Md Nor, editor. Asian Music. Kuala Lampur: Asian Pacific Dance Research Society, 92–107.

Lane, Edward W. 2003 (originally published in 1836). An Account of the Manners and Customs of the Modern of the Egyptians. Cairo: American University in Cairo.

Mathee, Rudi. 2000. “Prostitutes, Courtesans, and Dancing Girls: Women Entertainers in Safavid Iran.” In Rudi Mathee and Beth Baron, editors. Iran and Beyond: Essays in Middle Eastern History in Honor Nikki R. Keddie. Costa Mesa, CA: Mazda Publishers, 121–150.

Öztürkmen, Arzu. 2003. “Modern Dance Alla Turca: Transforming Ottoman Dance in Early Republican Turkey.” Dance Research Journal. 35/1 Summer, 2003, 38–60.

Saleh, Magda. 1998a. “Egypt: Traditional Dance.” International Encyclopedia of Dance, Volume 2, 486–495.

___________. 1998b. “Egypt: Contemporary Dance Companies.” International Encyclopedia of Dance, Volume 2, 495–499.

Shay, Anthony. 2008. Dancing Across Borders: The American Fascination with Exotic Dance Forms. Jefferson, NC: MacFarland & Co.

___________. 2008. “Choreographing Masculinity: Hypermasculine Dance Styles as Invented Tradition in Egypt, Iran, and Uzbekistan.” Dance Chronicle. Volume 31, No. 2.

____________. 2006. “The Male Dancer in the Middle East and Central Asia.” Dance Research Journal. Summer & Winter 2006, 38/ 1 & 2, 137–162.

____________. 2002. Choreographic Politics: State Folk Dance Companies, Representation, and Power. Middletown, Connecticut: Wesleyan University Press.

__________. 1999. Choreophobia: Solo Improvised Dance in the Iranian World. Costa Mesa, CA: Mazda Publishers.

___________. 1995. "Dance and Non–Dance: Patterned Movement in Iran and Islam." Iranian Studies, volume 28, numbers1–2, Winter/Spring 1995, 61–78.

Shay, Anthony and Barbara Sellers–Young, editors. 2005. Belly Dance: Orientalism, Transnationalism, and Harem Fantasy.Costa Mesa, CA: Mazda Publishers.

Van Nieuwkirk, Karen. Trade Like Any Other: Female Singers and Dancers in Egypt. Austin: University of Texas Press, 1995.